後退

講師

數碼創新及科技學系

GUI Ren is a sound artist, researcher, musician and curator whose interdisciplinary practice explores the relationships between sound, space, identity and gender. Holding a PhD in Sound Art from the School of Creative Media, City University of Hong Kong, GUI Ren works across soundscape composition, participatory soundwalks, spatial installations, live performance and feminist curatorial approaches.

In 2025, she curated and exhibited in Sonic Transitions: Auditory Stories of Female New Immigrants in Hong Kong, supported by the Hong Kong Arts Development Council. The exhibition brought together sound-based works by female artists exploring themes of memory, migration, movement and belonging.

Alongside her sound art and research practice, GUI Ren is a singer-songwriter and the lead vocalist of the Hong Kong-based band CheeseIce, working across alternative pop and experimental sound. She has participated in art projects including Sounding Tomorrow 2023 (co-organised with the Hong Kong Creation Orchestra), DAT/ACT Exhibition 2022 (Hong Kong), and Sound Envelope 2021 (Hong Kong/London). Her research has been featured in the edited volume Sonic (under)Currents and Currencies (East and Southeast Asian Popular Music Press, 2022). She has presented her work at international conferences including The 5th Kyoto Conference on Arts, Media & Culture (2024), In the Field 2 (2024), IASPM XXI (2022), MuSA (2022) and IsaScience (2023).

聯絡方法

電郵: guiren@thei.edu.hk

電話: +852 3890 8278

  • PhD in Sound Art, School of Creative Media, City University of Hong Kong

  • MFA in Music and Media Application, Communication University of China

  • Lecturer, Technological and Higher Education Institute of Hong Kong (THEi), 2026- Present
  • Sound Art
  • Music Technology
  • Soundscape Studies
  • Sound Installation and Spatial Design
  • Interactive Sound Design
  • Max/MSP
  • Spatial Audio and Ambisonics
  • Soundscape Studies
  • AI and Emerging Audio Technologies
  • Sound Art and Sonic Arts
  • Soundscape Studies
  • Sound Studies
  • Gender, Migration and Public Space
  • Spatial Audio and Ambisonics
  • Immersive and Interactive Sound
  • Participatory Art and Sonic Practice
  • Sound Art Curation
  • AI and Emerging Sound Technologies
  • Ren, G. (2026). Listening, Public Space and Sonic Practice: The Soundscape of Female New Immigrants in Hong Kong. Doctoral dissertation, School of Creative Media, City University of Hong Kong.
  • Ren, G., & Ikeshiro, R. (2024). “Hearing Gender: Re-thinking Gender, Sound and Public Space Through a Female Soundwalk Project and a Sound Installation in Hong Kong.” Proceedings of the Kyoto Conference on Arts, Media & Culture (KAMC2024).
  • Ren, G., Ikeshiro, R., & Lindborg, P. (2024). “Whispered Silhouette: Prototyping an Interactive Sound Installation with Voice and Interaction.” Proceedings of the 2024 WOCMAT Workshop on Computer Music and Audio Technology, Kainan University, Taiwan.
  • Dai, S., & Ren, G. (2024). “Technical Implementation and Artistic Expression Characteristics of Multimedia Electronic Music Creation in China.” Proceedings of the 49th International Computer Music Conference (ICMC 2024), 192–196.
  • Ran, Y., Lindborg, P., Ikeshiro, R., & Ren, G. (2024). “Multimodal Hong Kong: Perceiving Pedestrian Footbridge Spaces in a High-Density Area Through Sensewalking.” Proceedings of INTER-NOISE 2024.
  • Ren, G. (2024). “Female Soundwalk: Chinese Female Immigrants and Public Space in Hong Kong.” Music and Sound Studies, 5, 53–67.